| Michelangelo | |
|---|---|
 Portrait of Michelangelo by Jacopino del Conte (after 1535) at the age of 60 | |
| Birth name | Michelangelo di Lodovico Buonarroti Simoni |
| Born | 6 March 1475 near Arezzo, Caprese, Tuscany |
| Died | 18 February 1564 (aged 88) Rome, Italy |
| Nationality | Italian |
| Field | sculpture, painting, architecture, and poetry |
| Training | Apprentice to Domenico Ghirlandaio [1] |
| Movement | High Renaissance |
| Works | David, The Creation of Adam, Pietà |
Early life
Michelangelo was born on 6 March 1475[a] in Caprese near Arezzo, Tuscany.[4] (Today, Caprese is known as Caprese Michelangelo). For several generations, his family had been small-scale bankers in Florence, but his father, Lodovico di Leonardo di Buonarroti di Simoni, failed to maintain the bank's financial status, and held occasional government positions.[2] At the time of Michelangelo's birth, his father was the Judicial administrator of the small town of Caprese and local administrator of Chiusi. Michelangelo's mother was Francesca di Neri del Miniato di Siena.[5] The Buonarrotis claimed to descend from the Countess Mathilde of Canossa; this claim remains unproven, but Michelangelo himself believed it.[6] Several months after Michelangelo's birth, the family returned to Florence, where Michelangelo was raised. At later times, during the prolonged illness and after the death of his mother in 1481 when he was just six years old, Michelangelo lived with a stonecutter and his wife and family in the town of Settignano, where his father owned a marble quarry and a small farm.[5] Giorgio Vasari quotes Michelangelo as saying, "If there is some good in me, it is because I was born in the subtle atmosphere of your country of Arezzo. Along with the milk of my nurse I received the knack of handling chisel and hammer, with which I make my figures."[4]Michelangelo's father sent him to study grammar with the Humanist Francesco da Urbino in Florence as a young boy.[4][7][b] The young artist, however, showed no interest in his schooling, preferring to copy paintings from churches and seek the company of painters.[7] At thirteen, Michelangelo was apprenticed to the painter Domenico Ghirlandaio.[1][8] When Michelangelo was only fourteen, his father persuaded Ghirlandaio to pay his apprentice as an artist, which was highly unusual at the time.[9] When in 1489 Lorenzo de' Medici, de facto ruler of Florence, asked Ghirlandaio for his two best pupils, Ghirlandaio sent Michelangelo and Francesco Granacci.[10] From 1490 to 1492, Michelangelo attended the Humanist academy which the Medici had founded along Neo Platonic lines. Michelangelo studied sculpture under Bertoldo di Giovanni. At the academy, both Michelangelo's outlook and his art were subject to the influence of many of the most prominent philosophers and writers of the day including Marsilio Ficino, Pico della Mirandola and Angelo Poliziano.[11] At this time, Michelangelo sculpted the reliefs Madonna of the Steps (1490–1492) and Battle of the Centaurs (1491–1492). The latter was based on a theme suggested by Poliziano and was commissioned by Lorenzo de Medici.[12] While both were apprenticed to Bertoldo di Giovanni, Pietro Torrigiano struck the 17 year old on the nose, and thus caused that disfigurement which is so conspicuous in all the portraits of Michelangelo.[13]
Early adulthood
Lorenzo de' Medici's death on 8 April 1492 brought a reversal of Michelangelo's circumstances.[14] Michelangelo left the security of the Medici court and returned to his father's house. In the following months he carved a wooden crucifix (1493), as a gift to the prior of the Florentine church of Santo Spirito, who had permitted him some studies of anatomy on the corpses of the church's hospital.[15] Between 1493 and 1494 he bought a block of marble for a larger than life statue of Hercules, which was sent to France and subsequently disappeared sometime circa 18th century.[12][c] On 20 January 1494, after heavy snowfalls, Lorenzo's heir, Piero de Medici commissioned a snow statue, and Michelangelo again entered the court of the Medici.In the same year, the Medici were expelled from Florence as the result of the rise of Savonarola. Michelangelo left the city before the end of the political upheaval, moving to Venice and then to Bologna.[14] In Bologna, he was commissioned to finish the carving of the last small figures of the Shrine of St. Dominic, in the church dedicated to that saint. Towards the end 1494, the political situation in Florence was calmer. The city, previously under threat from the French, was no longer in danger as Charles VIII had suffered defeats. Michelangelo returned to Florence but received no commissions from the new city government under Savonarola. He returned to the employment of the Medici.[16] During the half year he spent in Florence he worked on two small statues, a child St. John the Baptist and a sleeping Cupid. According to Condivi, Lorenzo di Pierfrancesco de' Medici, for whom Michelangelo had sculpted St. John the Baptist, asked that Michelangelo "fix it so that it looked as if it had been buried" so he could "send it to Rome…pass [it off as] an ancient work and…sell it much better." Both Lorenzo and Michelangelo were unwittingly cheated out of the real value of the piece by a middleman. Cardinal Raffaele Riario, to whom Lorenzo had sold it, discovered that it was a fraud, but was so impressed by the quality of the sculpture that he invited the artist to Rome.[17] [d] This apparent success in selling his sculpture abroad as well as the conservative Florentine situation may have encouraged Michelangelo to accept the prelate's invitation.[16]
Rome
Michelangelo arrived in Rome 25 June 1496[18] at the age of 21. On 4 July of the same year, he began work on a commission for Cardinal Raffaele Riario, an over-life-size statue of the Roman wine god, Bacchus. However, upon completion, the work was rejected by the cardinal, and subsequently entered the collection of the banker Jacopo Galli, for his garden.In November of 1497, the French ambassador in the Holy See commissioned one of his most famous works, the Pietà and the contract was agreed upon in August of the following year. The contemporary opinion about this work — "a revelation of all the potentialities and force of the art of sculpture" — was summarized by Vasari: "It is certainly a miracle that a formless block of stone could ever have been reduced to a perfection that nature is scarcely able to create in the flesh."
In Rome, Michelangelo lived near the church of Santa Maria di Loreto. Here, according to the legend, he fell in love with Vittoria Colonna, marchioness of Pescara and a poet.[citation needed] His house was demolished in 1874, and the remaining architectural elements saved by the new proprietors were destroyed in 1930. Today a modern reconstruction of Michelangelo's house can be seen on the Gianicolo hill. It is also during this period that skeptics allege Michelangelo executed the sculpture Laocoön and His Sons which resides in the Vatican.[19]
(wikipedia.org)
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